Sound Shed Systems: Precision Engineering Meets Pure Sonic Power

At Sound Shed Systems, we don’t just provide audio; we engineer experiences. By pairing industry-leading digital processing with high-performance transducers, we ensure every note, word, and beat is delivered with absolute clarity and impact.

Our Core Technology

We believe a sound system is only as strong as its weakest link. That’s why we’ve curated a toolkit of world-class hardware:

1. The Brain: Allen & Heath Mixing Consoles

We rely on Allen & Heath for their legendary preamps and intuitive workflow. Whether it’s a complex live production or a high-stakes corporate event, these consoles provide the high-fidelity processing and routing flexibility required for a perfect mix.

  • XCVI 96kHz FPGA processing for ultra-low latency.

  • Pristine audio transparency and surgical EQ control.

2. The Muscle: Yamaha DZR Series

For high-SPL applications that demand definition, we deploy Yamaha DZR powered speakers. These are the pinnacle of active loudspeakers, offering "best-in-class" performance.

  • Advanced FIR-X tuning for a smooth frequency response and stunning clarity.

  • High-power Class-D amplifiers that maintain punch without distortion.

3. The Versatility: LD Systems

From elegant column arrays to robust stage monitors to powerful subwoofers, LD Systems provides the adaptability our clients need. Their award-winning designs ensure consistent coverage and a sleek aesthetic that fits into any venue.

  • Wide horizontal dispersion to reach every corner of the room.

  • Reliable, German-engineered performance for consistent night-after-night use.

Why Choose Sound Shed systems?

"Good sound is heard; great sound is felt. Our mission is to bridge that gap using the best tools in the industry."

  • Customized Configurations: We scale our Allen & Heath and DZR/LD rigs to fit your specific venue size and acoustic profile.

  • Professional Reliability: Our gear is maintained to the highest standards, ensuring zero downtime for your event.

  • Expert Engineers: Our team knows this hardware inside and out, translating technical specs into emotional impact.

Ready to Elevate Your Audio?

Whether it’s a concert, festival, or corporate gala, Sound Shed Systems has the sonic architecture to make it unforgettable.

Contact us today for a technical consultation.

LD Systems Icoa 15 ABT and Icoa 18a subwoofers.
A professional audio speaker system with two tall floor-standing speakers, two subwoofers, and two connecting cables.
Three black loudspeakers, one with the front grill, one with the internal components visible, and one with an electronic control panel on the back.
Allen and Heath QU-7 digital audio mixing console with various knobs, faders, and a touchscreen.
A digital sound mixer with multiple input channels, a colorful touchscreen display, various control knobs, and ports for audio connections.
Shure Nexadyne 8/S wireless microphone system with a handheld microphone resting on a receiver unit.

Package 1: The Premium Corporate Gala & Presentation (Indoors)

A pristine, low-profile layout perfect for hotel ballrooms, conference centers, or indoor banquet halls where speech clarity is critical.

  • Indoor Audience Capacity:100 – 250 people (Seated / Ballroom style)

  • Indoor Acoustic Note: The column design of the MAUIs drastically reduces ceiling reflections, focusing vocal frequencies directly at the seated audience's ears.

  • Audio: 2 × MAUI 28 G3 Column PAs, 2 × MAUI 28 G3 Extension Subs (Cardioid Preset active to keep the stage dead quiet), CQ18T Mixer, 1 × SLX-D Nexadyne Wireless, 1 × SM58 Headset, 1 × Radial DI.

  • Lighting: 4 × PAR Lights (Polished wall up-lighting).

  • Labor: 1 Audio/Lighting Technician.

Package 2: The Indoor Acoustic Showcase & VIP Lounge

Ideal for an indoor art gallery, hotel lobby, or acoustic performance space.

  • Indoor Audience Capacity:150 – 300 people (Standing/Cocktail)

  • Audio: 2 × MAUI 28 G3 Column PAs, 2 × MAUI 28 G3 Extension Subs, 2 × ICOA 15 ABT (Low-profile Stage Monitors), CQ18T Mixer, 2 × Audix OM3, 2 × Beta 57A, 2 × Radial DIs.

  • Lighting: 2 × 8-Foot Totems, 2 × BSW Moving Heads (Slow texture/gobo rotation on walls/ceiling), 4 × PAR Lights.

  • Labor: 1 Audio/Lighting Engineer.

Tier 2: Indoor Club Bands & Private Parties

Package 3: The Compact Club Rocker (Indoors)

Tailored for traditional indoor music venues, bars, or small multi-use rooms with a live band.

  • Indoor Audience Capacity:200 – 350 people

  • Indoor Acoustic Note: Corner loading the two 18A subs can naturally boost your low-end efficiency inside a smaller room, keeping your power draw lower.

  • Audio: 2 × DZR12 (Mains), 2 × ICOA 18A Subwoofers, 2 × ICOA 15 ABT (Monitors), CQ18T Mixer, Full wired mic package (Audix/Beta), 2 × Radial DIs.

  • Lighting: 4 × PAR Lights (Stage wash to cut through room ambient light).

  • Labor: 1 A1 Audio Engineer, 1 Assistant.

Package 4: The Premium Indoor Wedding / High-End Gala

An upscale, high-energy party setup for elite indoor venues, featuring a silent stage (IEMs) to prevent mic feedback.

  • Indoor Audience Capacity:250 – 450 people (Grand Ballrooms)

  • Audio: 2 × DZR12 (Mains), 4 × ICOA 18A Subwoofers, 2 × ICOA 15 ABT (Monitors), CQ18T digital mixer, 2 × SLX-D Wireless, 2 × IEM Systems (with Distro/Combiner).

  • Lighting: 2 × 8-Foot Totems, 2 × BSW Moving Heads, 6 × PAR Lights (Truss warming + dancefloor wash).

  • Labor: 1 A1 Audio Engineer, 1 L1 Lighting Tech.

Tier 3: Large Indoor Concerts & Auditoriums

Package 5: The Ultimate In-Ear Live Band Rig (Indoors)

Designed for theater shows, large indoor music venues, and school auditoriums.

  • Indoor Audience Capacity:400 – 700 people

  • Indoor Acoustic Note: Putting the DZR315s on 4-foot platforms shoots the mid/high frequencies right over the front rows to reach the back wall without bouncing aggressively off the floor.

  • Audio: 2 × DZR315 (Mains on Platforms), 4 × ICOA 18A Subwoofers, 2 × DZR12 (Front Fills for center-barricade coverage), Qu-7, 4 × IEM Systems, 3 × SLX-D Wireless, Full Wired Mic Kit + DIs.

  • Lighting: 4 × PAR Lights (Stage Wash).

  • Labor: 1 A1 Audio Engineer, 1 Audio Assistant (A2).

Package 6: The Indoor "Showstopper" Concert & Light Show

A massive visual and sonic statement inside a dark venue. The indoor atmosphere makes the beam and spot effects look spectacular.

  • Indoor Audience Capacity:500 – 800 people (Convention spaces, large clubs)

  • Audio: 2 × DZR315 (Mains on Platforms), 4 × ICOA 18A Subwoofers, 2 × DZR12 (Monitors), 2 × ICOA 15 ABT (Monitors), Qu-7, 2 × SLX-D Wireless, 2 × IEMs.

  • Lighting: 2 × 12-Foot Totems, 2 × 8-Foot Totems, 4 × Pro Beam Moving Heads, 2 × BSW Moving Heads, 6 × PAR Lights.

  • Labor: 1 A1 Audio Engineer, 1 L1 Lighting Operator, 1 Stagehand.

Tier 4: Heavy Low-End & Multi-Room Indoor Configurations

Package 7: The "Bass-Head" Indoor EDM & Club Night

Maximum bass focus for warehouse parties, electronic music events, or large indoor dance arenas.

  • Indoor Audience Capacity:600 – 1,200 people (Depending on venue ceiling height and room volume)

  • Indoor Acoustic Note: A center-stacked linear sub-array is highly recommended here to prevent a "bass alley" effect caused by indoor wall reflections.

  • Audio: 2 × DZR315 (Mains on Platforms), 8 × ICOA 18A Subwoofers, 2 × DZR12 (High-powered DJ Booth Monitors), Qu-7, 1 × SLX-D Wireless, 2 × Radial DIs.

  • Lighting: 2 × 12-Foot Totems, 4 × Pro Beam Moving Heads, 6 × PAR Lights.

  • Labor: 1 A1 Audio Engineer, 1 L1 Lighting Tech, 1 Heavy-Lift Stagehand.

Package 8: The Dual-Room Corporate or Festival Multi-Pack

Perfect for multi-room hotel conventions, corporate takeovers, or split-stage indoor music festivals.

  • Indoor Audience Capacity:Up to 1,500 people combined across both rooms.

  • MAIN HALL (Up to 1,100 cap): 2 × DZR315, 8 × ICOA 18A Subs, 2 × DZR12, 4 × ICOA 15 ABT, Qu-7 Mixer, 3 × SLX-D Wireless, 4 × IEMs with distro. Lighting: All 4 Totems (2×12ft, 2×8ft), 5 × Pro Beams, 2 × BSWs, 6 × PARs.

  • BREAKOUT / LOUNGE ROOM (Up to 400 cap): 2 × MAUI 28 G3 PAs, 2 × MAUI 28 G3 Extension Subs, local mixer connection, 4 × PAR lights.

  • Labor: 1 A1 (Main), 1 A2/Tech (Room B), 1 L1 Lighting Designer, 2 Stagehands.

Tier 5: The Indoor "Arena mini Monster"

Package 9: Indoor Field houses / Convention Centers / Arenas indoor

Indoor Audience Capacity:1,500 – 2000 people (Highly dependent on building acoustics)

  • Audio: 2 × DZR315 (Mains), 12 × ICOA 18A Subwoofers (Cardioid Block), 2 × DZR12 (Fills), 4 × ICOA 15 ABT (Wedges), 2 × MAUI 28 G3 Column PAs + 2 × MAUI Extension Subs (Time-aligned delay pillars for the rear balcony/VIP zones), Qu-7, 3 × SLX-D Mics, 1 × Headset, 4 × IEMs with Combiner, 5 Audix OM 3, 2 SM 58 and Beta 57 wired mics & DIs.

  • Lighting: 2 × 12-Foot Totems, 2 × 8-Foot Totems, 5 × Pro Beam Moving Heads, 2 × BSW Moving Heads, 10 × PAR Lights (Complete indoor aerial beam show and intense truss warming).

  • Labor: 1 A1 Lead Audio, 1 A2 Wireless/Stage Tech, 1 L1 Lighting Designer, 2 Stagehands/Loaders

  • (Slightly cheaper than outdoors due to lower exposure to weather risk, though structural venue power tie-ins or strict building-inspector rigging permits may apply).

  • 20,000 cubic foot fog machine also available.

Wireless microphone headset with attached body pack transmitter and lapel microphone, used for public speaking or performances
Audio rack with multiple XLR input and output connections, labeled for microphone and line inputs, as well as monitor, expander, and dSnake connection ports.
Black Yamaha speaker with a metal grille and control ports on the side.