Sound Shed Systems: Precision Engineering Meets Pure Sonic Power

At Sound Shed Systems, we don’t just provide audio; we engineer experiences. By pairing industry-leading digital processing with high-performance transducers, we ensure every note, word, and beat is delivered with absolute clarity and impact. We favor precision point-source audio for venues from 50 up to 1,000 guests. By avoiding the large-scale touring arrays, we deliver a cleaner, more intimate, and more intelligible sound experience for every guest in the room.

Our Core Technology

We believe a sound system is only as strong as its weakest link. That’s why we’ve curated a toolkit of world-class hardware:

1. The Brain: Allen & Heath Mixing Consoles

We rely on Allen & Heath for their legendary preamps and intuitive workflow. Whether it’s a complex live production or a high-stakes corporate event, these consoles provide the high-fidelity processing and routing flexibility required for a perfect mix.

  • XCVI 96kHz FPGA processing for ultra-low latency.

  • Pristine audio transparency and surgical EQ control.

2. The Muscle: Yamaha DZR Series

For high-SPL applications that demand definition, we deploy Yamaha DZR powered speakers. These are the pinnacle of active point source loudspeakers, offering "best-in-class" performance.

  • Advanced FIR-X tuning for a smooth frequency response and stunning clarity.

  • High-power Class-D amplifiers that maintain punch without distortion.

3. The Versatility: LD Systems

From elegant column arrays to stage monitors to powerful subwoofers, LD Systems provides the adaptability our clients need. Their award-winning designs ensure consistent coverage and a sleek aesthetic that fits into any venue.

  • Wide horizontal dispersion to reach every corner of the room.

  • Reliable and proven, German-engineered performance for consistent night-after-night use.

Why Choose Sound Shed systems?

Good sound is heard; great sound is felt. Our mission is to bridge that gap using the some of the best tools in the industry.

  • Customized Configurations: We scale our Allen & Heath and DZR/LD rigs to fit your specific venue size and acoustic profile.

  • Professional Reliability: Our gear is maintained to the highest standards, ensuring zero downtime for your event.

  • Expert Engineers: Our team knows this hardware inside and out, translating technical specs into emotional impact.

Ready to Elevate Your Audio?

Whether it’s a concert, festival, or corporate gala, Sound Shed Systems has the sonic architecture to make it unforgettable.

Contact us today for a technical consultation.

LD Systems Icoa 15 ABT and Icoa 18a subwoofers.
A professional audio speaker system with two tall floor-standing speakers, two subwoofers, and two connecting cables.
Three black loudspeakers, one with the front grill, one with the internal components visible, and one with an electronic control panel on the back.
Allen and Heath QU-7  digital audio mixing console with various knobs, faders, and a touchscreen.
A digital sound mixer with multiple input channels, a colorful touchscreen display, various control knobs, and ports for audio connections.
Shure Nexadyne 8/S wireless microphone system with a handheld microphone resting on a receiver unit.

Precision is at the heart of our audio design. We utilize high-output 3-way and 2-way loudspeaker systems to provide maximum impact and clarity. We tailor our configuration to match your space, delivering consistent, high-fidelity sound from the first row to the last.

Equipment inventory is subject to availability. Substitutions of equal or greater technical specifications may be made to optimize venue performance.

Package 1: The Premium Corporate Gala & Presentation (Indoors)

A pristine, low-profile layout perfect for hotel ballrooms, conference centers, or indoor banquet halls where speech clarity is critical.

  • Indoor Audience Capacity: 100 – 250 people (Seated / Ballroom style)

  • Indoor Acoustic Note: The column design of the MAUI 28 G3 drastically reduces ceiling reflections, focusing vocal frequencies directly at the seated audience's ears.

  • Audio: 2 × MAUI 28 G3 Column PA, 2 × MAUI 28 G3 Extension Subs (Cardioid Preset active to keep the stage quiet), CQ18T Mixer, 1 × SLX-D Nexadyne Wireless, 1 × SM35 Headset, 1 × Radial DI.

  • Lighting: 4 × PAR Lights (Polished wall up-lighting).

  • Labor: 1 Audio/Lighting Technician.

Package 2: The Indoor Acoustic Showcase & VIP Lounge

Ideal for an indoor art gallery, hotel lobby, or acoustic performance space.

  • Indoor Audience Capacity: 150 – 300 people (Standing/Cocktail)

  • Audio: 2 × MAUI 28 G3 Column PA, 2 × MAUI 28 G3 Extension Subs, 2 × ICOA 15 ABT (Low-profile Stage Monitors), CQ18T Mixer, 2 × Audix OM3, 2 × Beta 57A, 2 × Radial DIs.

  • Lighting: 2 × 8-Foot Totems, 2 × BSW Moving Heads (Slow texture/gobo rotation on walls/ceiling), 4 × PAR Lights.

  • Labor: 1 Audio/Lighting Engineer.

Tier 2: Indoor Club Bands & Private Parties

Package 3: The Compact Club Rocker (Indoors)

Tailored for traditional indoor music venues, bars, or small multi-use rooms with a live band.

  • Indoor Audience Capacity: 200 – 350 people

  • Audio: 2 × DZR12 (Mains), 2 × ICOA 18A Subwoofers, 2 × ICOA 15 ABT (Monitors) or IEM system, CQ18T Mixer, Full wired mic package (Audix/Beta), 2 × Radial DIs.

  • Lighting: 4 × PAR Lights (Stage wash to cut through room ambient light).

  • Labor: 1 A1 Audio Engineer, 1 Assistant.

Package 4: The Premium Indoor Wedding / High-End Gala

An upscale, high-energy party setup for elite indoor venues, featuring a silent stage (IEMs) to prevent mic feedback.

  • Indoor Audience Capacity: 250 – 450 people (Grand Ballrooms)

  • Audio: 2 × DZR12 (Mains), 4 × ICOA 18A Subwoofers, IEM system, CQ18T digital mixer, 2 × SLX-D Wireless or 2 × IEM Systems (with Distribution/Combiner) instead of ICOA 15 ABT (Monitors).

  • Lighting: 2 × 8-Foot Totems, 2 × BSW Moving Heads, 6 × PAR Lights (Truss warming + dance floor wash).

  • Labor: 1 A1 Audio Engineer, 1 L1 Lighting Tech.

Tier 3: Large Indoor Concerts & Auditoriums

Package 5: The Ultimate In-Ear Live Band Rig (Indoors)

Designed for theater shows, large indoor music venues, and school auditoriums.

  • Indoor Audience Capacity: 400 – 700 people

  • Indoor Acoustic Note: Putting the DZR315s on 4-foot platforms shoots the mid/high frequencies right over the front rows to reach the back wall without bouncing aggressively off the floor.

  • Audio: 2 × DZR315 (Mains on Platforms), 4 × ICOA 18A Subwoofers, 2 × DZR12 (Front Fills for center-barricade coverage), Qu-7, 4 × IEM Systems, 3 × SLX-D Wireless, Full Wired Mic Kit + DIs.

  • Lighting: 4 × PAR Lights (Stage Wash).

  • Labor: 1 A1 Audio Engineer, 1 Audio Assistant (A2).

Package 6: The Indoor "Showstopper" Concert & Light Show

A massive visual and sonic statement inside a dark venue. The indoor atmosphere makes the beam and spot effects look spectacular.

  • Indoor Audience Capacity: 500 – 700 people (Convention spaces, large clubs)

  • Audio: 2 × DZR315 (Mains on Platforms), 6 × ICOA 18A Subwoofers, 4 × ICOA 15 ABT (Monitors) or IEM monitor system, Qu-7, 2 × SLX-D Wireless.

  • Lighting: 2 × 12-Foot Totems, 2 × 8-Foot Totems, 4 × Pro Beam Moving Heads, 2 × BSW Moving Heads, 6 × PAR Lights.

  • Labor: 1 A1 Audio Engineer, 1 L1 Lighting Operator, 1 Stagehand.

Tier 4: Heavy Low-End & Multi-Room Indoor Configurations

Package 7: The "Bass-Head" Indoor EDM & Club Night

Maximum bass focus for warehouse parties, electronic music events, or large indoor dance arenas.

  • Indoor Audience Capacity: 600 – 1,100 people (Depending on venue ceiling height and room volume)

  • Audio: 2 × DZR315 (Mains on Platforms), 8 × ICOA 18A Subwoofers, 2 × DZR12 delays, 2 x Icoa 15 ABT (High-powered Booth Monitors on floor or “Texas” headphones), Qu-7, 1 × SLX-D Wireless, 2 × Radial DIs.

  • Lighting: 2 × 12-Foot Totems, 4 × Pro Beam Moving Heads, 6 × PAR Lights.

  • Labor: 1 A1 Audio Engineer, 1 L1 Lighting Tech, 1 Heavy-Lift Stagehand.

Package 8: The Dual-Room Corporate or Festival Multi-Pack

Perfect for multi-room hotel conventions, corporate takeovers, or split-stage indoor music festivals.

  • Indoor Audience Capacity: Up to 1,450 people combined across both rooms.

  • MAIN HALL (Up to 1,100 cap): 2 × DZR315, 8 × ICOA 18A Subs (Horizontal Cardioid Delay Arc), 2 × DZR12, 4 × ICOA 15 ABT, Qu-7 Mixer, 3 × SLX-D Wireless, 4 × IEMs with distro. Lighting: All 4 Totems (2×12ft, 2×8ft), 4 × Pro Beams, 2 × BSWs, 6 × PARs.

  • BREAKOUT / LOUNGE ROOM (Up to 350 cap): 2 × MAUI 28 G3 PA, 2 × MAUI 28 G3 Extension Subs, local mixer connection, 4 × PAR lights.

  • Labor: 1 A1 (Main), 1 A2/Tech (Room B), 1 L1 Lighting Designer, 2 Stagehands.

Tier 5: The Indoor "Arena mini Monster"

Package 9: Indoor Field houses / Convention Centers / Arenas indoor

Indoor Audience Capacity: 1,500 – 2000 people (Highly dependent on building acoustics)

  • Audio: 2 × DZR315 (Mains), 12 × ICOA 18A Subwoofers (Horizontal Cardioid Delay Arc Array), 2 × DZR12 (Fills), 4 × ICOA 15 ABT (Wedges), 2 × MAUI 28 G3 Column PA (Time-aligned delay pillars for the rear balcony/VIP zones or center fill), Qu-7, 3 × SLX-D Mics, 1 × Headset, 4 × IEMs with Combiner, 5 Audix OM 3, 2 SM 58 and Beta 57 wired mics, Audix FP 7 drum mic package & DIs.

  • Lighting: 2 × 12-Foot Totems, 2 × 8-Foot Totems, 4 × Pro Beam Moving Heads, 2 × BSW Moving Heads, 10 × PAR Lights

  • Labor: 1 A1 Lead Audio, 1 A2 Wireless/Stage Tech, 1 L1 Lighting Designer, 2 Stagehands/Loaders

  • (Slightly cheaper than outdoors due to lower exposure to weather risk, though structural venue power tie-ins or strict building-inspector rigging permits may apply).

  • 20,000 cubic foot fog machine also available.

Wireless microphone headset with attached body pack transmitter and lapel microphone, used for public speaking or performances
Audio rack with multiple XLR input and output connections, labeled for microphone and line inputs, as well as monitor, expander, and dSnake connection ports.
Black Yamaha speaker with a metal grille and control ports on the side.